Tas Severis

Tas Severis Painting Demonstration

Woodbrook Vale High School Loughborough 23rd September 2014

Wow a demonstration to cheer us all up!  Bright and colourful acrylics using a variety of brands available, Tas had a table with at least 50 tubes on.   With palette knife and paint straight out of the tube Tas smeared it on a pre-coloured purple board and began composing a vase with bright red tulips.  Gradually after initially placing the flowers he built up the layers developing the background first, with little mixing apart from where colour went on top of colour.

Tas emphasised the need to have a composition in mind before starting and think about where colour marks were placed, it wasn’t random although it seemed like it with the array of colour used.

As the acrylic tends to dry fairly quickly it was necessary to establish the design quite speedily in the first half of the session, and Tas needed the paint to be more malleable.  Then as the painting developed more time was taken to place colour marks which brought out the flowers and stem details, highlighting with some very bright colours to complete a very lively picture.

Just as we thought about putting our sunglasses away for the summer, this bright little gem appeared before our eyes.

Tas Severis Tulip demonstration
Tas Severis Tulip demonstration
Tas Severis Tulip Painting
The finished painting

August Artworks

So now we are in September, it’s been a busy few months for the club with a successful art exhibition held at Newtown Linford, walk and draw sessions, a brilliant demonstration by Rob Wareing with pastels, and our new Monday Art group held at Bishop Beverage Club, Barrow upon Soar is coming along nicely with new members joining. He’s a couple of photos from this last months activities!

If you are interested in coming along to any of our workshops, demonstration evening or painting groups check out our Activities page.

Come and join us on either Facebook or Twitter, we regularly tweet and update our Facebook page with photos and much more.

Happy painting!

Rob Wareing Pastel Workshop

Rob Waring – Pastel Workshop – 30 August 2014

I am not really a pastel lover, I have never really given the medium a thought, although I have admired work that others have done. I think I have always thought of it as messy, although it cant be that really as I love working in charcoal and look like a coalman when I have finished, so no it cant be that. A bit scratchy then…mmm…maybe.

For some reason it was difficult to get people to come on this workshop, whether it was the time of year, the subject or the medium I don’t know, but what I do know is that everyone who did come produced a very satisfying and lovely finished portrait, under the gentle guidance of a very experienced painter.

Rob started the workshop with a practical demonstration, explaining his technique for using pastels as he worked. His palette was limited to four tonal pastels from light to dark in flesh colours, 2 pastel pencils, a dark brown and a reddy orange, and a fine pointed dark pastel, he worked on a grey pastel paper.

Rob Wareing pastel demo

Firstly he measured the face by using his hand, from finger tip to wrist and making a mark with the orange pencil on the paper at each point. He then divided it up for the nose and mouth lines. From there he measured a point for the left eye, the gap between the eyes and then the right eye, drawing in the vague positions of each. Concentrating on the eyes, forehead and nose areas which Rob described as ‘fixed’ positions, the next crucial point was the highlight on the end of the nose, and the gap between the eyes, if established correctly then the painting would ‘look’ right.

The lower half of the face was left till later as this area was the one that would change as the model got bored and potentially fell asleep, so if you had established it early on when the sitter was happy then the facial expression on the cheeks, mouth and jaw line would change and you would have to keep correcting.

After sketching in the rough dimensions, then Rob changed to the darker pencil and started adding in the shadowy areas on the cheek and around the eyes and nose areas, scuffing in a bit of hair as well. Then onto the pastels and concentrating on the tonal range he began to build up the layers fleshing out the skin and slowly bringing the model to life.

One of the major ‘no, no’s’ was ‘do not blend in with your hands’ as the image will become flat and lifeless. Just build the layers up using the different pastel tones.

Rob Wareing pastel demonstration

Then it was our turn. We had two models, so there was plenty of room to get close to them, so after a lot of shuffling about and a coffee we tentatively put pastel to paper. Rob guided us through the process, encouraging us to look harder, it was the eyes that I found the most enlightening. I was just putting in the blue iris at the bottom half of the eye, when Rob said to shade over the top half of the eye socket as this is in shadow of the top eyelid, demonstrating this for me he then put a pin prick of light on the pupil, then said to add the white of the eye on the left hand side and on the right just a small line to indicate the inside of the lid. Your own eyes filled everything else in, it was very effective.

Little tips like this were invaluable. The emphasis on drawing and establishing the framework, measuring all the time, then filling out the flesh tonally with the pastel, it made you look hard at the subtle changes of tone, a very good exercise from life.

The final pictures were all very different, and we were all very happy with the results. Many thanks to Rob and his wife and to Amanda the model, it was a superb day enjoyed by all.

pastel portraits charnwood drawing painting club

Oh, and it wasn’t at all messy, with clouds of dust everywhere, far from it… but it was tiring and a cuppa and a bar of chocolate when I got home was a very satisfying end to the day.

Joy Lockton

Club activity updates

The Woodhouse Eaves self help group has had to move to Beaumanor Outdoor Learning Centre from next Tuesday due to changes at Woodhoues Eaves See attached map for the route from the main gates in Woodhouse. Just in case, Woodhouse is the small village between Quorn and Woodhouse Eaves and the main gates to Beaumanor are just before the spot roundabout, when travelling from Quorn.

Charnwood College painting and drawing evening sessions.

The dates have just been formalised
We start on Monday 1st Sept
The full set of dates are
  • Sept 1st and 15th
  • Oct 6th and 20th
  • Nov 3rd and 17th
  • Dec 1st and 15th
  • Jan 19th
  • Feb 2nd and 16th
  • March 2nd and 16th
  • April 20th
  • May 18th
  • June 1st and 15th

Walk and Draw sessions

  • Tuesday 2nd September Hoby Street parking
  • Tuesday 9th September Sutton Bonington Street parking
  • Tuesday 16th September Shardlow Car Park on Ralong “The Wharf” Tuesday 23rd September CLUB NIGHT
  • Tuesday 30th September Lincoln Meet Loughborough station

10am start unless stated, contact Brian Frost for more details